格林尼治村的先锋艺术与波希米亚主义  

Avant-Garde Art and Bohemianism from Greenwich Village

作　　者：卫华[1] 

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《湖南工业大学学报（社会科学版）》2012年第2期90-97,共8页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家教育部人文社科课题(11YGC0086)

摘　　要：波希米亚是19世纪以来发生的艺术家生活方式运动及其精神信仰。20世纪以来,纽约以其巨大的现代都市魅力,取代巴黎成为20世纪中期以后波希米亚的新活动中心。波希米亚生活及其美学精神,在以纽约格林尼治村为代表的波希米亚空间得到新的存留与发展。在二战后两种文化遗产——美国的和先锋派的结合中,格林尼治村艺术家把百年波希米亚"让艺术改造生活"的核心理念作整体推进,使之成为最早的后现代主义文化观念。Bohemia movement has occurred since the 19th century, which is the artist lifestyle and spiritual be- liefs. Since the twentieth century, the New York City in United States, with its huge modem city charm, replaced Paris and become one Bohemia activity center in the mid twentieth century. Bohemian life and its aesthetic spirit has retained and gained new development in the Greenwich Village who is the representative of the Bohemian space. By the combination of these two kinds of cultural heritage in United States and the avant - garde after world war H , the Greenwich Village artists made ＂Let art transform lives＂, the core concept of century Bohemian, promoted as a whole, has become the earliest culture conception of post - modernism.

关 键 词：波希米亚 格林尼治村 先锋派 后现代主义 

分 类 号：I206[文学—中国文学]