梦窗词清空论——试谈郑文焯对梦窗词风的认识  

On the Qing Kong Style of Meng Chuang Ci——On the Style about Meng Chuang Ci of Zheng Wenzhuo

作　　者：杨传庆[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《阴山学刊》2012年第2期34-38,共5页Yinshan Academic Journal

基　　金：中央高校基本科研业务费专项资金项目(NKZXB1146)部分研究成果

摘　　要：郑文焯是晚清四大家之一,著名词学家。在晚清梦窗词转移一代风会的情况下,他的梦窗词研究独具特色。他不满以"晦涩"评梦窗,也不满学梦窗"晦涩",他认为"晦涩"只是梦窗词的表象,其高处正在"空灵"。郑文焯以"空灵"、"清空"为标准来选评梦窗词,突破了张炎以来的对梦窗词的传统认识,赋予了"七宝楼台"新的内涵。他的这种认识,也体现了"清空"这一重要词学范畴的内涵在晚清的丰富与发展。Zbeng Wengzhuo was one of the four masters in late Qing Dynasty and was a famous critic of Ci po-etry. Under the circumstance that Meng Chuang Ci changed the style, his study about Meng Chuang Ci had his own features. He disagreed discussing Meng Chuang Ci with ＂obscurity＂ and chose ＂Kong Ling＂ style as a representa- tive of Meng Chuang Ci works. He thought that ＂obscurity＂ was only the appearance of Meng Chuang Ci, and the top of Meng Chuang Ci was just ＂Kong Ling＂. Zheng Wenzhuo＇ s special view broke the traditional understandings of Meng Chuang Ci and gave the new content of ＂Qi Bao Lou Tai＂. It also reflected the enrichment and development of the category about ＂Qing Kong＂ in late Qing Dynasty

关 键 词：郑文焯 梦窗词 晦涩 清空 

分 类 号：I206.2[文学—中国文学]