英伽登文学作品理论的特色和影响  

The Characteristic and the Impact of Ingarden's Literary Theory

作　　者：钱晶[1] 

机构地区：[1]重庆师范大学文学与新闻学院,重庆沙坪坝401331

出　　处：《绵阳师范学院学报》2012年第3期6-9,共4页Journal of Mianyang Teachers＇ College

摘　　要：罗曼·英伽登是波兰著名的哲学家,美学家。他师从胡塞尔,继承其现象学思想和研究方法,建立了其现象学美学的基本框架,构筑了独特的分跨三者的现象学美学系统,开创了一个新的美学理论的时代,对二十世纪西方文艺理论的研究和美学思想的推动发展作出了深远的影响。本文分析罗曼.英伽登的文学作品理论的特色和对后世文学理论建立之影响。Roman Ingarden was a well - known Polish philosopher as well as esthetician. As a student of Ed- mund Husserl, Ingarden inherited the Husserl＇s idea of phenomenology and research methods, established his basic framework of phenomenology aesthetics, and constructed a unique phenomenological aesthetics system related to philosophy, phenomenology and aesthetics. Thus, he inaugurated a new era of aesthetic theory and made a tremen- dous impact on the development of western literary theory and aesthetical thought in twentieth century. This paper analyzes the characteristic of Roman Ingarden＇s literary theory and of its impact on the establishment of the later lit- erary theory.

关 键 词：现象学美学 罗曼·英伽登 文学作品论 特色 影响 

分 类 号：I206.09[文学—中国文学]