人民主体性:党的文艺思想的历史演进  

The People's Subjectivity: the Evolution of the Party's Thought of Literature and Art

作　　者：吴玉杰[1] 

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《辽宁大学学报（哲学社会科学版）》2012年第3期37-45,共9页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：教育部留学回国人员科研启动基金资助项目【2011】1568号;辽宁省高等学校优秀人才支持计划资助WR2011001"主体性与中国当代文学批评的建构";2010年辽宁省社会科学基金重点项目"十六大以来党的文艺思想发展研究"(L10AZW004)

摘　　要：人民作为创造主体、表现主体与接受主体是人民主体性的三个维度,从《在延安文艺座谈会上的讲话》《在中国文学艺术工作者第四次代表大会上的祝词》到《中共中央关于深化文化体制改革推动社会主义文化大发展大繁荣若干重大问题的决定》,人民主体性思想贯穿始终。人民主体性是党的文艺思想的核心,在不同的历史时期,人民主体性显示出以人为本的精神向度。人民主体性思想经过历史的检验,被证明是党领导文艺的正确思想;而且这70年间,人民主体性思想与时俱进,在历史的演进中不断丰富和发展,逐渐成为具有时代性的话语表征。The People are the creation entity, representation entity and acceptance entity. From ＂The Speech at the Yah＇ an Forum on Literature and Art＂by Mao Zedong to＂The Congratulatory Speech at the Fourth Congress of China Literary and Art Workers＂by Deng Xiaoping to＂Trhe Decision Made by the Central Commit- tee of the Communist Party to Deepen Culture System Reforms and Enhance the Development of Socialist Cul- ture＂by Hu Jintao, the people＇s subjectivity thought is clear and coherent. The people＇s subjectivity is the core of the party＇s literary and artistic thought. In different historical periods, the people＇s subjectivity reflects the people-first spiritual dimension. The people＇s subjectivity has gone through the test of history, and proved to be the party＇s correct guideline in literature and art. In the past seventy years, people＇s subjectivity thought has been keeping pace with the times, constantly enriched in the historical evolution of development, and gradually become the characterized discourse of this age.

关 键 词：人民主体性 《在延安文艺座谈会上的讲话》 《在中国文学艺术工作者第四次代表大会上的祝词》 《中共中央关于深化文化体制改革推动社会主义文化大发展大繁荣若干重大问题的决定》 历史演进 

分 类 号：I200[文学—中国文学]