论芥川龙之介的文学观及其与中国古典文学的关系  

On Akutagawa Ryunosuke's Literary Viewpoints and Its Relationships with Chinese Classical Literature

作　　者：司志武[1] 

机构地区：[1]广东海洋大学外国语学院,广东湛江524088

出　　处：《通化师范学院学报》2012年第5期37-40,共4页Journal of Tonghua Normal University

基　　金：广东海洋大学2010年度社科项目"芥川龙之介的文学观与中国古典文学之关系的研究"的阶段性成果。项目编号:C10245

摘　　要：日本近代作家芥川龙之介的研究至今热度不减。随着该研究的逐步深入,关于芥川龙之介借鉴中国和日本古典文学作品进行再创作的行为究竟是"剽窃"还是创作的争论,即:如何评价此类作品的问题显得日益突出。而解决这个问题的关键应当从分析、研究他的文学观入手,寻找他为何利用中国、日本等国古典文学进行文学创作活动的思想根源,然后才能为评价其文学作品提供必要的原则和参照。Studies on Akutagawa Ryunosuke are very heat recently. With the gradual deepening of the study, a debate whether the re-creation by using Chinese and Japanese classical literature works by Akutagawa is ＂plagiarism＂ or ＂creating＂ becomes prominent. In other words, the issues about how to assess such kind of works written by Akutagawa become more and more important. It is very necessary to start from the analysis and study on Akutagawa＇s literary viewpoint, in order to look for his ideological origins in such hterary activities. Thus, the necessary principle and reference to evaluate those works by Akutagawa can be found.

关 键 词：翻案 内容 形式 技巧 形式主义 

分 类 号：I106.4[文学—世界文学]