六朝江南都市艳歌的生成机制及其历史流变  

Formation Mechanism and Historical Evolution of Urban Amour Songs in Jiang Nan Region

作　　者：葛永海[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《上海师范大学学报（哲学社会科学版）》2012年第3期63-72,共10页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：国家社科基金项目"中国城市叙事的古典传统及其现代变革研究"(10CZW038)

摘　　要：论文所指的"都市艳歌",乃是"都市"与"艳歌"的叠合,既强调诗歌的城市属性以及所带来的商业化与通俗化特色,也突出诗歌题材因世俗欲望的渲染所具有的绮艳特征。六朝以来,江南地区出现的许多描写城市生活的诗歌都具有这些特征。作者主要探讨江南都市艳歌的生成机制及历史流变。在六朝文学新变的直接影响下,江南地区建康的士人、王室、民间歌者三种创作主体互动交流,尤其是士人从乐府民歌中吸取养分进行艳情化改造,成为都市艳歌生成的主要途径。在唐代江南文学中心位移至扬州后,都市艳歌亦随之发展流变。六朝江南都市艳歌为后世带来了极为广远的文学效应。The Urban Amour Song in this paper is actually the combination of ＂urban＂ and ＂amour song＂, which not only emphasizes the urban characteristics of commercialization and popularization of the poems, but also highlights the themes of worldly desires expressed in flowery diction with sentimental features. Since the Six Dynasties, poems of urban life in Jiang Nan region had embodied these features. The paper makes a research on the formation mechanism and historical evolution of urban amour songs in Jiang Nan region. Under the influence of new literary changes, scholars, the royal family and folk singers made up the main body of creators and they kept interactive communication. Scholars drew nutrients from folk songs and infused the po- ems with elements of eroticism, which is the main formation mechanism of urban amour songs. After the center of Jiang Nan liter- ature in Tang Dynasty was moved to Yangzhou, the urban amour songs also underwent historical evolution. The urban amour songs in Jiang Nan during the period of the Six Dynasties exerted profound influence on the later literature.

关 键 词：江南 六朝诗歌 都市艳歌 生成 历史流变 

分 类 号：I209.22[文学—中国文学]