近代报刊诗话的娱乐性新变  

The Transformation of Amusement for the Poetry Theory Published by Newspapers and Periodicals In Modern Times

作　　者：李德强[1] 

机构地区：[1]上海大学文学院,上海200444

出　　处：《华南师范大学学报（社会科学版）》2012年第2期151-155,159,共5页Journal of South China Normal University：Social Science Edition

基　　金：教育部人文社会科学重点研究基地重大项目"清末民初报刊诗话整理与研究"(10JJD75007)

摘　　要：近代以来,娱乐性因素对诗坛起到越来越大的影响,加上鸳蝴派风气的推波助澜,使得报刊诗话中的娱乐性日益增强,出现了包括香奁诗话、滑稽诗话、游仙诗话等三大类型的几十种相关特色诗话。此类诗话既重视报刊的传媒特点又不废诗话的生命本根,从而形成了理论的崇雅与创作的变俗特征。它是报刊文学发展的必然结果,也是近代文人喜新恋旧情结的诗学再现,这不但导致了文学权力的下移,也带了文学风气的深层变化。The amusement factor has increased its influnce for poetry. With the enhancement of its influnce and the promotion of'Yuanyang-hudie'ethos,the amusement feature among the poetries published by newspapers and periodicals becomes so strong that a great deal of traital poetry theory including'Xianglian'、'Huaj'i、'Youxian'came into beings. These poetry theories published by newspapers and periodicals in modern times not only emphasized the medium characteristics but also recognized the essence of poetry theory,thus it demonstrated the mutual speciality of academic elegance and creative secularization. Certainly it was the outcome of the development of literature by newspapers and periodicals,also the poetic emergence of literator'complex in modern times. The phenomenon brought about the downward overtransmition of literary right and the deep change of literary fashion.

关 键 词：近代报刊 诗话 娱乐性 发生 

分 类 号：K207[历史地理—历史学] I242.3[历史地理—中国史]