“趣味”的角逐——论“十七年”诗人审美趣味的重塑及危机  

The Competition of "Interest"——Discuss on the remodeling and crisis of poet's aesthetic interest in "17 years"

作　　者：巫洪亮[1] 

机构地区：[1]龙岩学院文学与传媒学院,福建龙岩364000

出　　处：《吉首大学学报（社会科学版）》2012年第1期79-83,共5页Journal of Jishou University(Social Sciences)

基　　金：教育部人文社会科学基金项目(10YJC751094);福建省社会科学规划项目(2011C035)

摘　　要：在"十七年"诗歌的成长过程中,诗人审美趣味的重塑不仅是知识分子实施自我革新和国家权力主体再造"新人"的有效手段,同时也是推进当代诗歌新的美学风格生成与建构的重要方略。当代诗坛的主持者们通过趣味的"区隔化"、阶级指认和合法趣味的再生产等方式,根治了知识分子(诗人)的"审美偏执"和"审美惯性",促使当代诗人审美趣味"工农化"并最终走向权力化。由于这种不断"权力化"的审美趣味具有鲜明的排他性和授予性,不但造成当代诗歌"美学趣味"的变异与失衡,而且随着语境的变迁"工农兵"趣味也将遭遇合法性危机。During the growing of ＂17 years poetry＂,the remodeling of poet＇s aesthetic interest is not only the effective means of intellectual＇s self-innovation and newcomers＇ reconstruction,but also the important strategy which promotes the generation of new aesthetic style of contemporary poetry.The protagonist of contemporary poets effect a radical cure intellectuals ＂aesthetic paranoid＂ and ＂aesthetic inertia＂,through the interest segmentation and the reproduction of the legal interest,which make contemporary poets aesthetic interest authorization.The aesthetic interest authorized not only leads to imbalance and variation of aesthetic interest,but also causes legitimacy crisis of peasants and soldiers＇ aesthetic interest.

关 键 词：“十七年”诗歌 审美趣味 

分 类 号：I206.7[文学—中国文学]