渐江艺术及其画学思想成因  

Art in Zhejiang and the Cause of the Forming of Its Painting Theory

作　　者：高飞[1] 

机构地区：[1]安徽师范大学美术学院,安徽芜湖241003

出　　处：《南京艺术学院学报（美术与设计）》2012年第2期45-50,201-202,共6页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：安徽省哲学;社会科学规划项目(AHSK05-06727);教育部人文社科规划项目(12YJA760012)

摘　　要：明末清初,社会动荡,然而画学思潮却异常活跃,作为新安画派旗帜人物的渐江,以其"敢言天地是吾师"的画学思想,名著画坛,成为当时文人画家的典型。渐江所处的时代和多蹇的人生遭际,导致他皈依佛门,隐居山林,向大自然讨生活;他对传统的继承、理解与认知,促使其走向以"真山水为稿本"的创新之路,成就了他"不与人同"的品格气质。The society in the end of Ming and early Qing was in turbulence,but the thinking of painting was very active.As the leading person of Xin’an Painting School,Jian Jiang was famous in the painting field and became a typical figure of literati painting at that time because of his thinking of painting,'daring to call the nature as my teacher'.Jian Jiang’s time and life experiences lead him converted to Buddhism,to live in seclusion,and to earn life from the nature;his succession,understanding and recognition of the tradition make him walk on the creative way of 'taking the real mountains and rivers as the manuscript',which lead him with character and quality 'different from others'.

关 键 词：渐江 敢言天地是吾师 画学思想 

分 类 号：J203[艺术—美术]