“大系”与中国“新文学”本位观的确立  

“Major Series” and Establishment of Standard Concept of “Chinese New Literature”

作　　者：周海波[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《山东师范大学学报（人文社会科学版）》2012年第3期5-11,共7页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：作者主持研究的国家社科基金后期资助项目"文学秩序与规范的重建"(09FZW003)的阶段性成果

摘　　要：《中国新文学大系》首先是中国的"新文学"大系,是确立"新文学"本位观的一次集体行为。"大系"作为后启蒙时代的代表性书系,其意义就在于它坚持并继承了"五四"新文化运动的启蒙主义文化立场,以对新文学成就进行资料性、文献性总结的方式,对那些试图从不同方面否定"五四"新文学、否定启蒙主义文化思想者予以回应。"大系"以"新文学"为主体,站在新文学的立场上对文学史进行分期,从时间观念上对中国文学的秩序进行了新的梳理,并确立了1917年开始的新文学运动在中国文学史上的地位。The Major Series of Chinese New Literature is first of all the major series of the ＂New Literature＂ of China, and is a collective action to establish the standard concept of the ＂New Literature＂. The editors of the Series have all stressed the ＂legal＂ status of the ＂New Literature＂, and highlighted the significance of the ＂New Literature＂ in literary history. As a representative series of post -enlightenment, it is of great signifi- cance in its adherence to, and inheritance of, the cultural stance of the post - enlightenment upheld by the ＂May Forth＂ New Cultural Movement, and in its method to summarize the literary achievements from the per- spective of literary and documentary data, so as to response to those who attempt to negate the ＂New Litera- ture＂ of the ＂May forth＂ Movement, and negate the cultural thoughts of the enlightenment..

关 键 词：中国新文学大系 新文学 文学秩序 

分 类 号：I206.6[文学—中国文学]