论志贺直哉文学创作中的“审父”意识  

On the “Father-Examining” Consciousness in Shiga Naoya’s Works

作　　者：崔颖[1] 

机构地区：[1]山东师范大学外国语学院,山东济南250014

出　　处：《山东师范大学学报（人文社会科学版）》2012年第3期70-75,共6页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：山东省教育厅人文科学研究项目"近三十年来中日比较文学研究论文现状的定量分析"(S07YF26)的阶段性成果

摘　　要：日本近代作家志贺直哉的文学创作中涉及父子关系题材的作品众多。有着强烈自我意识的志贺用文本中的"渎父"、"弑父"情节表达了对专制父权的不满,同时又怀着对家族亲情的眷恋和对新型父亲形象的向往进行了"寻父"的探索。其"审父"意识的表露同时兼具东西方文学的特点。Many of the works of Shiga Naoya, a modern ship. With a strong self-awareness, the writer tends to Japanese novelist, are related to parent-child demonstrate his dissatisfaction with paternity relation- through such plots as ＂father-blasphemy＂ or ＂patricide＂ and so on, while, at the same time, he goes in for a sort of paternal-seeking with his attachment to family affection and his longing for a new-type paternal image. As a re- suit, his ＂father-examining＂ consciousness bears characteristics of both of oriental and occidental literatures.

关 键 词：志贺直哉 渎父 弑父 寻父 

分 类 号：I313.074[文学—其他各国文学]