《墙上的斑点》“主题道具”现象透析  

A Study of Thematic Props in The Mark on the Wall

作　　者：张慧仁[1] 

机构地区：[1]福州大学外国语学院

出　　处：《世界文学评论（长江文艺出版社）》2012年第1期128-131,共4页The World Literature Criticism

基　　金：本人主持的福建省社会科学规划2011年项目"伍尔夫小说‘主题道具’现象研究"【项目编号:2011B132】的阶段性成果

摘　　要：人物的情绪、情感流动原本无序、非逻辑,伍尔夫借助"墙上的斑点"这一"道具",让它们完全经由一个"斑点"放射、流露出来,又逻辑地呈现为对某一社会、哲学、文化主题系统化的意识流动。这个斑点成为小说文本的逻辑化道具。这种意识流创作手法加强了对人类心灵的深层探索和创作的主体性,有别于传统小说必须通过故事情节设置来探索心灵奥秘的道路。小说文本因局部的情绪情感化而诗性闪烁,但整体结构的智性,导致晦涩难懂,小说创作的道路由此越走越窄。透视伍尔夫以"墙上的斑点"开始的文学"真实"观念的裂变,有助于考察现代派文学参与社会功利、介入社会意识形态的历史,可以从中找到反思现代派文学的原点,发掘文学新生的原动力。The Mark on the Wall is Woolf＇ s first sustained experiment consciousness of the self. Readers observe people and events filtering in literary form. It explores the interior through the narrator＇ s consciousness. The Mark here acts as a string which connects the narrator＇ s reveries, giving the unstructured and disordered reverie a structure. It makes the continuous flow of sense possible. The stream-of-consciousness technique ex- ploring the inner life of human beings proves to be a big breakthrough in novel writing. However, with its emphasis on psychology and on the human consciousness, modern novel writing becomes abstract and scientific, not as artistic as traditional novels. Reading such novels requires hard brain work. A detailed study of The Mark on the Wall helps us to reconsider the losses and gains of the works of the modernist school.

关 键 词：意识流 非逻辑 主题道具 心理科学化 

分 类 号：I109.9[文学—世界文学]