内在流放者的语言重塑——多多的前流放诗学(英文)  

The Linguistic Refashioning of an Internal Exile:Duoduo and His Pre-exile Poetics

作　　者：陈志锐[新加坡][1] 

机构地区：[1]台湾师范大学国文系

出　　处：《文艺理论研究》2012年第3期68-83,共16页Theoretical Studies in Literature and Art

摘　　要：本文探讨了中国朦胧诗人多多早期的前流放诗歌。鉴于多多在诗歌中不仅大量使用标点符号、结构工整,而且标明创作日期,其诗歌表面展现的风格显得明确清楚而非模糊朦胧。多多本人也曾否认他所创作的是朦胧诗,但大多数评论家仍把他的作品列入"朦胧诗",并认为它们"怪诞"而"艰涩"。本文通过对多多流放之前诗歌的解读,重点探讨其对诗歌语言的重塑,特别是其中的音乐性和无关联意象的并置,并认为这两项诗歌特征是成就其朦胧性的最主要原因。This paper investigates Chinese Misty poet Duoduo＇ s early pre -exile poems. As Duoduo uses punctuation abundantly in an orderly structure and dates his poems, his works projects themselves as being more transparent than obscure or misty. Even Duoduo himself denied writing Misty poetry, although most critics classified his works as ＂Misty＂ and described them as ＂weird＂ and ＂difficult ＂. This paper will examine such confusion by focusing on Duoduo＇ s pre - exile linguistic refashioning via musicality and iuxtal＇sosition of unrelated images, which I regard as his main constituent of Mistiness.

关 键 词：多多 朦胧诗前流放诗学 语言重塑 音乐性 意象并置 

分 类 号：I207.25[文学—中国文学]