从《余震》到《唐山大地震》的艺术演变  

The Artistic Evolution of After Shock from Novel to Movie

作　　者：李晓灵[1,2] 

机构地区：[1]复旦大学新闻学院,上海200043 [2]兰州大学新闻与传播学院,兰州730000

出　　处：《北京社会科学》2012年第3期63-67,共5页Social Sciences of Beijing

摘　　要：《唐山大地震》以巨大的产业价值和主流意识功能,实现了传播和商业的双重胜利。但是《唐山大地震》对家国意识、传统伦理叙事的强调,遮蔽了《余震》个体书写与心理分析的深刻性,同时也淡化了《余震》人性批判的力度。After shock, the movie made both communicating industrial value and mainstream ideology function. However, the collective consciousness and traditional ethical narration not only writing and psychological analysis of the novel After Shock on which of criticism on human nature. and commercial success through its huge movie＇ s overemphasis on family-country overshadows the profundity of individual it＇s based, but also weakens its strength

关 键 词：《余震》 《唐山大地震》 主流意识 商业利益 文化价值 

分 类 号：J90[艺术—电影电视艺术]