对中国武术技术形态的“艺术性”研究  

Analysis on the Artistic Attribute of the Techniques Modality in China's Wushu

作　　者：吴松[1] 王岗[1] 

机构地区：[1]苏州大学体育学院,江苏苏州215021

出　　处：《北京体育大学学报》2012年第5期21-26,共6页Journal of Beijing Sport University

基　　金：国家社科基金项目(06BTY029)

摘　　要：运用文献资料法,以武术的技术形态作为研究对象,运用艺术学的相关理论对中国武术的"艺术属性"展开讨论。研究表明:"武"与"舞"在人类社会的早期是交织在一起并行发展的,"武舞"为武术在技术形态上形成"艺术性"奠定了基础;在兼具"技击性"这一实用特征的同时,武术的技术动作也表现出了"动作美"、"意蕴美"和"意境美"的艺术特征;充满"艺术性"武术技术动作包含着对技击真实的再现和技击情感的表达,它们构成了中国武术技术形态的艺术表征。故此,中国武术在技术形态上具有鲜明"艺术性",这是从艺术的视角对中国武术作出的一种全新表述和真实写照。Based on the method of documentation,the researches made a deep research on the techniques modality of the Chinese Wushu from the view of art and then discussed the art nature of the Chinese art.The research showed that： the development of ＂Wushu＂ was in parallel with ＂Dance＂ at the beginning of martial arts,the ＂Martial Arts to Dance＂ laid the foundation for the artistic attribute of the techniques modality in the Chinese Wushu;The Chinese Wushu did not only have the practical attributes,but also had the properties of the arts,including the beauty of technology,the beauty of implication and the poetic imagery;Because of the reproduction of the reality and the expressing of the emotion for the attack,the artistic characterization of the Chinese Wushu techniques modality had been formed.At last,we concluded that： the technical modality in the Chinese Wushu has the distinctive artistic,which is from the aesthetic perspective of the Chinese Wushu,a new description and a true portrayal.

关 键 词：中国武术 技术形态 艺术性 

分 类 号：G852[文化科学—民族体育]