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机构地区:[1]东华大学纺织学院,上海200015 [2]浙江理工大学服装学院,杭州310018
出 处:《丝绸》2012年第6期41-45,共5页Journal of Silk
基 金:浙江省文物保护基金项目(1107344-M)
摘 要:从文物保护角度分析了光照对丝织品文物的影响,探讨丝织品文物展陈中的卤素灯和LED灯对黄檗、栀子、槐米、靛蓝、紫草、苏木及茜草7种染料的老化特性,通过试验得到7种染色试样的色差突变点,为合理选择丝织品的展陈光源及控制丝织品的陈曝光时间提供了理论支持。结果表明:展陈光照设计中卤素灯比LED灯更适合表现黄檗、栀子及槐米和靛蓝染料丝织品的照明光源。苏木染料则较适合用LED灯展示,茜草染料在两种光源下的褪色速度相似。此外,根据丝织品的不同形态特征,分析了与不同形态丝织品相对应的展陈光照设计。From the perspective of heritage protection, this thesis analyzes the influence of lighting on cultural relics silk textiles and discusses the lighting aging effect of halogen lamp and LED on Cortex Phellodendri, Jasmine, Flos sophorate, Indigo, Radix ainebiae, Sppan wood and Madder. According to experiments, the mutation point of chromatic aberration for the seven dyeing samples is obtained, which offers theoretical support to select suitable lighting for the exhibition of fabric and control exposttre time of silk. The result shows that the halogen lamp is more suitable than LED for lighting source of Cortex Phellodendri, Jasmine, Flos sophorate and Indigo dye silk fabrics. However, LED is more appropriate to display Sppan wood dyes. Besides, the speed at which Madder fades is similar for both lighting sources. In addition, according to different shape of silk fabrics, this thesis analyzes the design of display lighting which is corresponding to different fabrics.
分 类 号:TS101.9[轻工技术与工程—纺织工程]
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