张资平与中国现代通俗文学(1920-1927)  

Zhang Ziping and Modern Chinese Popular Literature(1920-1927)

作　　者：陈红旗[1] 

机构地区：[1]嘉应学院客家研究院文学院,广东梅州514015

出　　处：《重庆师范大学学报（哲学社会科学版）》2012年第3期50-56,共7页Journal of Chongqing Normal University Edition of Social Siences

基　　金：广东省普通高校人文社会科学重点研究基地嘉应学院客家研究院招标课题"张资平与中国现代通俗文学"(编号:09KYKT11);广东省普通高校人文社会科学研究重点项目"客籍作家与二十世纪中国文学"(编号:06ZD75001);国家社会科学基金青年项目"中国左翼文学研究"(编号:10CZW058);教育部人文社会科学研究青年项目"中国左翼文学的发难与演进(1927-1937)"(编号:09YJC751035)的阶段性成果

摘　　要：张资平在1920至1927年间的读书经历和创作情况表明,他与通俗文学之间有着真切的联系,他在作品中一直显在或潜在地吸纳和彰显通俗文学的某些趣味,并揉之以一定的现代视域。张资平喜欢在小说中运用"多角恋爱"的叙事模式,其原因在于:他深受客家山歌中求爱/思恋等叙事模式的影响;推崇自然主义作家以科学方法解剖人类心理和生理的笔法;同时,也是为了迎合读者的世俗趣味。h is clear that Zhang Ziping distinctly keep in contact with the popular literature, because of his reading experience and creation case from 1920 to 1927. He always explicitly or implicitly absorbed and highlighted lots of popular literary interest, also mingled definite modem perspective. Zhang Ziping liked to use the narrative mode of polygonal love in his novels, its reason is that he deeply came under the influence of wooing or loving narrative mode and so on in Hakka Folk Songs, praised the highly naturalism writers＇ tech- niques of writings on analyzing human being psychology and physiology by scientific method, meanwhile, that is for pandering to the readers＇ vulgar taste.

关 键 词：张资平 中国现代通俗文学 多角恋爱 

分 类 号：I206.6[文学—中国文学]