苗族婚姻理辞女性形象社会地位探析  

Analysis on the Social Status of Female Image in Hmong Hun Yin Li Ci

作　　者：苏晓红[1] 胡晓东[2] 

机构地区：[1]黔东南民族职业技术学院,贵州凯里556000 [2]贵州民族大学文学院,贵州贵阳550025

出　　处：《贵州师范大学学报（社会科学版）》2012年第3期67-72,共6页Journal of Guizhou Normal University(Social Sciences)

基　　金：国家社科基金项目"苗族理辞通解"(08XZW020)阶段性成果

摘　　要：理辞是贵州省黔东南境内苗族文化中具有重要地位和深远影响的一种诗歌文学形式,它以歌的艺术魅力来感动人心而求得纠纷的解决。理辞中的婚姻理辞塑造了许多个性鲜明、性格各异的女性形象,透过对女性形象的分析可以窥见婚姻理辞中的女性有着和男性相对平等的社会地位,享有相应的权力。她们主体意识觉醒,有独立的人格,坚持两性和谐相处。当出现婚姻纠纷时,充分行使婚姻自主的权力,通过理老向男方明确表明自己的态度,从而解除婚姻关系重新追求幸福生活。这是苗族社会尊重女性并赋予其相对平等地位的文化观念与苗族女性的重要地位两者共同影响下女性形象社会地位的生动呈现。Li Ci is a kind of poetic form of literature. It plays an important role and influence in Hmong culture of Southeast Guizhou Province. It solves the dispute through the song artistic charm. Hmong Hun Yin Li Ci has shaped the distinctive characters of different female images. In the analysis of Hmong female image in Hmong Hun Yin Li Ci, we can find that they have rela- tively equal social status and enjoy the corresponding rights compared with the male images. Their self - consciousness is awake, having personality independence, demanding the gender harmony. Female Image makes full use of the marital autonomy to clarify their attitude with the help of Li Lao, dissolute marital relationship and pursue a happy life. It is a vivid rendering of Hmong female image social status, on the combined effect of both Hmong cultural values implicit reflection on respecting women, giving their relatively equal social status and the important position of Hmong female.

关 键 词：苗族 婚姻理辞 女性形象 社会地位 

分 类 号：I29[文学—中国文学]