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作 者:于浴贤[1]
机构地区:[1]泉州师范学院文学与传播学院,福建泉州362000
出 处:《集美大学学报(哲学社会科学版)》2012年第3期57-63,共7页Journal of Jimei University:Philosophy and Social Sciences
基 金:福建省教育厅社会科学研究项目(JA11235S)
摘 要:汉魏六朝文人俗赋冲破了辞赋宫廷化、贵族化的藩篱,将眼光投向社会下层和世俗人生,题材内容丰富,构思巧妙,风格诙谐,在传统文人雅赋之外别立一格,使赋坛上雅俗共存,典丽与通俗兼容,大大丰富了汉魏六朝赋坛的景观。同时,我们又清楚地看到,文人俗赋数量不多,创作队伍不大,发展举步维艰、徘徊不前,在雅文学的夹缝中浮沉挣扎。这种局面实在是汉魏六朝雅文学强势地位的结果,也是文学为贵族所垄断时代之必然。The litemti's popular verses in Hart Wei Six Dynasties stood out from their elegant ones and greatly enriched the liter- ary world with the coexistence of elegance and popularity when they broke through the tendency towards the palace, the noble and turned to the under classes and their worldly life with rich themes, ingenious plots and humorous styles. With few works, the po- ets were not strong at all and struggled in the shadow of the elegant literature. Actually, this is the inevitable outcome of the strong position of elegant verses and the domination of literature by the noble in Hart Wei Six Dynasties.
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