《聊斋志异》叙事艺术与传统文章学“起承转合”笔法  

The Narrative Art of Liaozhaizhiyi and the Conception "Opening, Development,Change and Conclusion"

作　　者：冀运鲁[1] 

机构地区：[1]淮北师范大学文学院,安徽淮北235000

出　　处：《中国石油大学学报（社会科学版）》2012年第3期94-97,共4页Journal of China University of Petroleum (Edition of Social Sciences)

基　　金：国家社科基金项目(08BZW018);安徽高校省级科研项目(2011SK230)

摘　　要：作为一种成熟的文章样式,传统文章学成为《聊斋志异》效仿的典范。八股文"起承转合"的文法对《聊斋志异》叙事方式产生了重要影响。蒲松龄所接受的八股文训练,有助于他提高结构叙事的能力。As a skillful style, Chinese traditional literary style can be taken as a typical model of Liaozhaizhiyi. Ancient writing style of eight-part essay conception ＂opening, development, change and conclusion＂ has much impact on the narrative art of Liaozhaizhiyi. Pu Songling received eight-part essay training from childhood, which helped him to improve the ability of structure narrative.

关 键 词：叙事艺术 聊斋志异 传统文章学 起承转合布 

分 类 号：I207.419[文学—中国文学]