贾平凹原生态写作观释论  

An Interpretation on Jia Pingwa's View on Original Primitive Writing

作　　者：席忍学[1] 

机构地区：[1]商洛学院中文系,陕西商洛726000

出　　处：《商洛学院学报》2012年第3期11-14,33,共5页Journal of Shangluo University

基　　金：陕西省教育厅专项科研计划项目(11JK0266)

摘　　要：写作观,即对写作的态度与看法,具体包括对写什么、怎么写、为何写、为谁写等写作基本问题的认识。在贾平凹写作观当中,最值得关注的是原生态写作。原生态写作是运用生活流技巧和方言土语、以民间视角叙写日常生活琐事从而达到浑然天成境界的写作旨趣和写作方式。在贾平凹看来,原生态写作是判断文学作品高低优劣的审美标准。贾平凹倡导并身体力行原生态写作,是为了让文学回归"人学"本位,从而避免过于强烈的政治色彩。贾平凹原生态写作观的形成与道家思想的影响有密切关系。Writing view, the attitude toward writing, specifically includes such basic problems in writing as what to write, how to write, why to write, for whom to write. In Jia Pingwa＇s writing, what worth attention most is the original primitive writing. Original primitive writing is a writing style with the application of life stream skill and dialects, narrating daily routines in view of folk to pursue a natural completion. In the eye of Jia, original primitive writing is the aesthetic standard for judging whether a literary work is good or bad. Jia promotes and practices original primitive writing, with the purpose to place literature to ＂humanity＂, hence to make literature go away from strong political color. Jia＇s original primitive writing is greatly influenced by Daoism.

关 键 词：原生态写作 琐碎叙事 民间视角 生活流技巧 方言写作 浑然天成 

分 类 号：O156.4[理学—数学]