萨拉·凯恩剧作中的性别与救赎  

Gender and Redemption in Sarah Kane's Plays

作　　者：王琼[1] 

机构地区：[1]广东外语外贸大学,广州510420

出　　处：《黑龙江教育学院学报》2012年第6期139-142,共4页Journal of Heilongjiang College of Education

基　　金：广东省"211工程"三期重点学科建设项目之一"女性主义视角下的20世纪英美女作家研究"的中期成果(GDUFS211-1-005)

摘　　要：对当代英国剧坛的先锋作家萨拉·凯恩剧作的研究多关注其中的战争、暴力、性虐和变态人格的极端展示等主题,而其中比较重要的性别问题因其对性别的态度而受到忽视。凯恩三个剧本中的性别关系揭示出她试图在消解性别区分的同时,仍然关注性别问题并以女性的形象来隐喻了人性的救赎和希望。In contemporary English writer Sarah Kane＇s plays gender problem has always been dwarfed by grand themes like war, violence and deformation of humanity due to the playwright＇s attitude towards gender. A look at three of her important plays, however, exposes her concern of gender problems and the gendered metaphor of human redemptionin spite of her attempt to eliminate the gender difference.

关 键 词：性别 权力关系 救赎 

分 类 号：I106.3[文学—世界文学]