革命后代视野里的革命历史——以《我是太阳》和《英雄无语》为例  

The History of Revolution in the Views of Revolutionary Descendants——Taking I Am the Sun and Silent Heroes for Example

作　　者：陈思广[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《伊犁师范学院学报（社会科学版）》2012年第2期77-80,共4页Journal of Yili Normal University

基　　金：2012年度教育部人文社会科学研究规划基金项目<中国现代长篇小说的传播与接受研究>(12YJA751003)阶段性成果;四川大学中央高校基本科研业务费研究专项(Skgt201105)资助

摘　　要：革命历史在革命后代邓一光和项小米的视野里,不再是被动依赖的客体,而是作家反思历史,张扬人性的载体,不过,邓一光塑造的父辈形象究其脉理还是20世纪五六十年代革命英雄主义的改型放飞。项小米所塑造的父辈形象则含有人性的盘错、文化的反思、生命的悲剧等诸多难以言说但又必须面对的历史内涵。这种以人性反思革命历史,不仅是创作视点和聚焦方式的转变,而是历史观念和创作思想的革新。20世纪90年代革命历史题材小说的表现界域由局部延展到整个世纪,支点由历史的事件到人与人性的审视与反思,视角由仰视到平视,内涵由单一到多质,情感由热烈到冷峻,是这一题材创作成功跨越和突破的重要标志。The history of revolution in the views of revolutionary descendants Deng Yiguang and Xiang Xiaomi is no longer a passive and dependent object but the vehicle authors use to reflect on history and publicize humanity. However, the elders＇ descriptions by Deng Yiguang arc the reform and development of the revolutionary heroism in the fifties or sixties of the 20th century. Yet the elders＇ descriptions by Xiang Xiaomi contain a lot of historical connotations, such as complex humanity, cultural reflections and the tragedy of life, which we have to face but are difficult to describe. It is not only the change of novelistic viewpoints and the focusing model but also the innovation of historical concept and artistic ideas to reflect history with humanity. The expression of novels on historical revolution in the 1990s extended from partial to the whole century; the fulcrum changed from incident to the contemplation and reflection on human and humanity; the perspective turned from upward-looking to straightforwardness; the contents turned from single to diversity; the emotion varied from warm to cold. These are the valuable signs to the successful breakthrough on this subject.

关 键 词：革命后代 视野 革命历史 我是太阳 英雄无语 

分 类 号：I207.42[文学—中国文学]