20世纪音乐:反叛·标新·多元  

20^(th)-Century Music:Rebelling,Innovative and Pluralistic

作　　者：陈鸿铎[1] 

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《星海音乐学院学报》2012年第2期66-77,共12页Journal of Xinghai Conservatory of Music

基　　金：2012年度教育部人文社会科学研究规划基金项目"西方当代音乐创作研究"(12YJA760002);2011年度上海市教育委员会科研创新项目(11ZS152);上海音乐学院国家重点学科建设项目(050402)

摘　　要：当西方20世纪音乐在中国不断受到大众关注的时候,人们却发现很难找到由中国学者针对这一重要的历史断代所作的较为全面和深入的分析与反思,而西文中译的20世纪音乐断代史著作目前面世的仍极少,尚未翻译的著作还不能得到普及阅读,这种现状大大地影响了国人在这方面的学习与研究。作为一篇不长的论文,虽很难对这一断代史做出详尽论述,但仍希望从"反叛、标新、多元"这三个方面对20世纪西方现代音乐的发展作出一个提纲挈领式的归纳与总结,为人们梳理出一个清晰的路径,并对如何判断新的历史断代的出现提出自己的看法。As 20^th century Western music has increasingly attracted public attention in China, people find that there is little comprehensive and in-depth period. Translation of books from foreign analysis and reflection by Chinese languages on this aspect is hardly scholars about that important historical seen; most of people can not read foreign language works concerning 20^th-century music. This greatly affected the people＇ s study and research in this area. The writer hope that this paper, through summarization based on three aspects of ＂Rebelling, Innovative and Pluralistic＂, can help people to get a clear path in understanding this historical period and to know how to judge a new historical period.

关 键 词：20世纪音乐 反叛 标新 多元 

分 类 号：J609.1[艺术—音乐]