文艺复兴时期田园诗歌的生态女性主义解读  

Research on Pastoral Poems in Renaissance Period from the Perspective of Eco-Feminism

作　　者：韩利敏[1] 梁晓冬[2] 

机构地区：[1]安徽工程大学外国语学院,安徽芜湖241000 [2]河南师范大学外国语学院,河南新乡453003

出　　处：《河北北方学院学报（社会科学版）》2012年第3期49-52,共4页Journal of Hebei North University：Social Science Edition

基　　金：安徽省高校省级优秀青年人才基金项目(2012SQRW073);安徽工程大学青年基金项目(2010YQ025)

摘　　要：自然与女性的关系源远流长,生态女性主义是生态主义和女性主义的结合。从生态女性主义批评的视角,结合文本细读的方法审视文艺复兴时期的田园诗歌,探寻诗歌中蕴含的自然意识和性别观念,发现在这一时期的田园诗歌中自然被重塑成一个被动的、顺从的、仁慈的供养者;女人则沦为失去话语权的"失语者",是以男性为主宰的世界的"观察者"。这一研究有助于人与自然、男性与女性的和谐发展,也将进一步推动国内外对田园诗歌多视角、多元化的批评与解读。The relationship between nature and women is longstanding and well-established. Eco-leml- nism is the combination of ecologisrn and feminism. From a critical perspective of eco-feminism, and using the close reading of the text to examine the pastoral poems in Renaissance Period, the paper explores the nature consciousness and gender concepts with the findings that in this period nature is described as a pas- sive,submissive and kind provider,while women became silent and speechless listeners, and observers of a male-dominated world. The research will help promote the harmonious development of nature, men and women,and further improve the multi-perspectives and diversified researches on pastoral poems at home and abroad.

关 键 词：生态女性主义 文艺复兴 田园诗歌 自然与女性 

分 类 号：I106.2[文学—世界文学]