回族音乐中的文化融合与本色坚持现象分析  

The Cultural Integration and Adherence to Islam characteristic to the Analysis of the Music of Hui Chinese People

作　　者：马冬雅[1,2] 

机构地区：[1]宁夏大学西夏学研究院,宁夏银川750021 [2]宁夏大学音乐学院,宁夏银川750021

出　　处：《回族研究》2012年第2期127-132,共6页

摘　　要：本文旨在对回族音乐中存在的文化融合与本色坚持现象进行分析,这不仅可窥见回族音乐本身的文化形态,也为探讨宏观的回族文化内涵提供具体、有力的例证。文内对回族音乐中的文化融合与本色坚持的概念进行阐释;对回族音乐中体现出的伊斯兰教与中国传统跨文化交融的文化自觉,以及回族与他民族跨族交流的文化互动两个方面形成的文化融合进行分析;对伊斯兰教统摄下的本色坚持进行分析。由此可见,回族音乐独特的文化形态,在于文化融合与本色坚持的并存型存在方式。This article aims to analyze the phenomenon of cultural integration and adherence to Islam character- istic in the music of Hui Chinese people. Not only pry the cultural patterns of the Hui Chinese people＇ s music, but also to provide the specific and powerful example for the macro Hui cultural connotations. Firstly, the article de- scribed the concepts of cultural integration and Islam characteristic in the music of Hui. Secondly, the article ana- lyzed the forms of Cultural integration. One is the cultural awareness that Islam and Confucian＇ s cross - cultural communication, another is the cultural interaction that Hui and mixed ethnic＇ s cross - group social. Thirdly, to an- alyzed the adherence to Islam characteristic by Islam rule. Thus, the coexistence of cultural integration and the ad- herence to Islam Characteristic is the unique cultural patterns of Hui Music.

关 键 词：回族音乐 文化融合 本色坚持 

分 类 号：J607[艺术—音乐]