“后苏联”时期俄罗斯戏剧的发展面貌  

Post-Soviet Russian Theatre:A Survey

作　　者：潘月琴[1] 

机构地区：[1]北京外国语大学俄语学院

出　　处：《戏剧（中央戏剧学院学报）》2012年第2期32-41,共10页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金重大项目<当代外国文学纪事丛书:1980-2000>(俄国卷)的部分成果;项目批准号【06AWW001】

摘　　要："后苏联"时期俄罗斯戏剧的生存和发展经历了前所未有的严峻考验,走过了一条艰难坎坷但却给人以希望的道路。虽然只有20年的发展过程和创作积累,但它已经显示出一些引人关注的发展趋向,新一代戏剧家们在走过了对传统和舶来品模仿学步的阶段之后,正在形成带有俄罗斯现实印迹和文化传统同时又充满现代精神和表现力的新的戏剧诗学。Post-Soviet Russian theatre was faced with serious challenges as it had never been faced before. The road of survival and development was hard yet promising. After a short period of two decades, some trends in creation have caught much attention. A new poetics of drama that combines Russian realities and its cultural traditions with modern spirits and techniques of expression is taking form among the new generation who has gone beyond imitation of the traditional and the foreign.

关 键 词：“后苏联”时期 俄罗斯戏剧 新面貌 

分 类 号：J809.512[艺术—戏剧戏曲]