哈尔滨近代建筑装饰之美“感”  被引量:1

Research on Aesthetic Experience of Architectural Decoration in Harbin's Modern Building

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作  者:孙权[1] 何颖[2] 

机构地区:[1]哈尔滨工业大学建筑设计研究院,建筑师150090 [2]哈尔滨工业大学建筑学院,博士研究生150090

出  处:《华中建筑》2012年第7期16-20,共5页Huazhong Architecture

摘  要:哈尔滨近代建筑从一个侧面映射了西方建筑艺术的发展趋势和美学倾向,具有极高的审美价值。建筑装饰是建筑之美的外在表现形态,其独特的感官价"辐射"百度百科将其意义解释为两种:值不仅突出了建筑的艺术走向,而且也深刻表达了建筑的文化内涵。该文以哈尔滨近代建筑的为主要研究对象,通过对现存建筑装饰的调研和测绘,以大量翔波等物质向四周传播的一种状态。虚意可以指实的数据进行比较研究。在此基础上,以完形心理美学和知觉现象学为理论基础,从建筑装饰形态的表现力、装饰形式的感染力以及装饰文化的渗透力三个主二种在建筑设计方法中出现的"辐射"形构图要方面剖析哈尔滨近代建筑装饰所引发的审美感受。The Harbin's modern architectures reflect the development trend and aesthetic tendency of western architectural art from one aspect, they have o very high aesthetic value. Architectural decorations are external manifestation beauty of the building. Their unique sensory values not only highlight the tendency of architectural art, but also express the cultural connotation of the building deeply. This article takes Harbin's modern architectures as the main object, a comparative research is carried out with the large amount of detailed and accurate data through the investigating and researching. On the basis of the above research, utilizing gestalt psychological aesthetics and perceptual phenomena as theoretical foundation, the author analyzes the aesthetic experiences, which are initiated by the modern architectural decoration of Harbin, from three main aspects of expression of architectural decoration forms, infectivity of decoration forms and penetrability of decoration art.

关 键 词:哈尔滨近代装饰 审美感受 表现力 渗透力 

分 类 号:TU-80[艺术—艺术设计]

 

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