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机构地区:[1]哈尔滨工业大学建筑学院,150080 [2]黑龙江大学艺术学院
出 处:《华中建筑》2012年第7期36-39,共4页Huazhong Architecture
摘 要:进入21世纪初,日本建筑界对装饰的、或历史样式的建筑已无兴趣,很少触及纯粹的仿造风格,但对民族趣味的偏爱却广泛存在,这是受日本民族性的直接影响。民族根生性是使建筑在面对外来文化冲击时,总能回到本民族文化的本能的、非意识行为。日本的现代建筑具有独特的内涵,而形成日本现代建筑内涵的核心因素是日本民族的根生性。他们表现在建筑形态的物哀式表达、建筑环境的共生式表达、建筑审美的神格式表达和建筑技术的精准式表达。通过建筑实例与民族理论的结合分析,得出现代日本建筑创作思维是具有深厚的传统文脉和坚固的民族根生性、多变的非线性系统。At the beginning of 21 century, few architects is interest in the decoration of architecture or the historical building style in the Japanese architectural field. The pure imitation style is also hardly touched, but the aesthetical taste of nationality is widespread. It is directly derived from national spirit of Japanese. Nationality is an intuitive and unconscious behavior that makes architecture back to national culture under the impact of external culture. Contemporary Japanese architecture has unique connotation, and Japanese nationality is the kernel factor that forms it. It is mainly expressed through the distressed style of architectural form, the coexistence of building environment, the deification of architecture aesthetics, and the precision of building technology. Through conjoint analysis of the architectural examples and the theory of nationality, this paper proposes that the creative thinking of Japanese architecture owns the profound traditional culture and firm nationality, and it is a various nonlinear system.
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