“我”的出走与回归——晚清新小说女性形象分析  

Flee and Regression of“Mine” ——An Analysis of Female Images of New Novels in Late Qing Dynasty

作　　者：朱秀梅[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《菏泽学院学报》2012年第3期25-28,73,共5页Journal of Heze University

基　　金：国家社科基金项目(07BZW044)

摘　　要：晚清新小说塑造了众多与传统迥异的女性形象,集中呈现了晚清女性生活的新因素,其中最为重要的是女性对自我的体察与感悟。从"我"之初现,到被"大我"淹没的"我",到歧路上畸态的"我",再到对"旧我"的皈依,晚清新小说的女性形象对作为个体的"我"的认知走过了艰难的探索之路,具有深刻的时代印记。New novel shaping many different images of women in the late Qing dynasty with tradition, focuses on the new factors in the women＇ s life in the late qing dynasty, among which the most important is women＇ s self - awareness and apperception. From appearing of ＂me＂, to ＂me＂ is inundated by ＂big me＂, to abnormal ＂me＂ on the forked road, and to the regression regression of ＂old me＂, the female images of the new novel in the late Qing dynasty have experienced a hard exploring way of the awareness of ＂me＂ as an individul, and have the profound mark of times.

关 键 词：出走 回归 晚清 新小说 女性形象 

分 类 号：I207.41[文学—中国文学]