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作 者:王海燕[1]
出 处:《安庆师范学院学报(社会科学版)》2012年第3期1-9,共9页Journal of Anqing Teachers College(Social Science Edition)
基 金:国家社会科学基金项目(10BZW089);安徽省哲学社科规划项目(AHSKF07-08D110)
摘 要:王蒙与政治的关系如胶似漆:他入世极深,钟爱杂色,透彻反思五四时代知识分子性格、政治落难者命运、官场政治和70年代末"归来者"的歌;他思考文学的担当,热衷小说的形式变革,他以不纯粹的现代主义,挑战又丰富了现实主义,他的"王式大排比句"独具语言革命的意义。王蒙是一名"醒客"(thinker),他以作品诠释了"醒"的过程。王蒙自传是"醒"的升华。WANG Meng and politics are closely bound together. Going deeply into the society and being fond of vatiedness, he reflects on the intelligentsia's character in the era of the May Fourth Movement, the fate of men in political distress, politics of the officialdom, and the songs of those returning in the 70s. He ponders on the responsibilities of literature, absorbed in reforming novel's forms. He challenges and enriches realism with his impure realism. His unique parallel sentences have revolutionary signifi- cance. As a thinker, WANG Meng interprets the thinking and his autobiography is the sublimation of the process.
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