苗族刺绣图案中蕴含的中国传统艺术辩证法  

Traditional Chinese Arts Dialectics in Miao Embroidery Pattern

作　　者：苗延荣[1] 高洁[1] 

机构地区：[1]天津理工大学,天津300191

出　　处：《包装工程》2012年第14期135-138,共4页Packaging Engineering

基　　金：国家社会科学基金艺术学项目(11BH066)

摘　　要：结合刺绣作品予以研究,通过对苗绣作品的图案形象、构图、色彩及表达的内容涵义的探析,提出了苗绣艺术中运用动与静、形与神、虚与实这3组具有辩证关系的美学表现手法营造出具有动感与张力的和谐之美,揭示出中国传统艺术辩证法的运用对苗族刺绣装饰效果的积极影响;中国传统艺术中蕴含的辩证思想及表现手法可应用、转化为符合现代环境的设计语言、设计方法。Combined with the embroidery work, through analysis of the content meaning of f pattem image, composition, color and expression of Miao embroidery work, it proposed using dynamic and static, form and spirit, virtual and real possessing aesthetic performance practices with dialectical relationship to create the beauty of harmony with dynamic and tension in Miao embroidery art, revealed the positive impact of using traditional Chinese art dialectics on the effects of Miao embroidery. Dialectical thinking and performance practices in the traditional Chinese art can be applied to meet modern environmental design languages and design methodologies.

关 键 词：苗族刺绣 图案 艺术辩证法 

分 类 号：J523.6[艺术—艺术设计] J02