漓江画派人物画的形成、发展与未来  

The Formation of the Figure Painting of Lijiang School and Its Development and Prospect

作　　者：郑军里[1] 

机构地区：[1]广西艺术学院,广西南宁530022

出　　处：《艺术探索》2012年第3期6-13,4,共8页Arts Exploration

基　　金：2011年度广西高等学校重点资助科研项目"漓江画派中国人物画研究"(201102ZD025)

摘　　要：广西中国人物画发展过程分为萌芽期、成长期、成熟期三个阶段。揭示其在各个时期经济、政治及创作思潮影响下所经历的历史、机遇与挑战,能够折射出整个漓江画派的发展过程。1949年以前,广西几乎未出现有突出影响的中国人物画家及作品。新中国成立后,漓江画派中国人物画在各个发展阶段都表现出和时代的紧密相连,并逐渐发展为具有南方地域和创作特色的地方画派。The development of figure painting in Guangxi has passed periods of embryonic,growing-up,and maturity.To unveil the process of development respectively in the fields of economy,politics,and history,opportunity,challenge under the influence of creation,would reflect the development of the entire Lijiang school of painting.Before 1949,Guangxi had not produced influential artists,nor do works.After the establishment of P.R.C,the figure painting of Lijiang school has shown the connection of their works to the period,and gradually developed to be a local painting style that specialized in southern China with unique creation.

关 键 词：漓江画派 中国人物画 发展 

分 类 号：J205[艺术—美术]