双重任务下我国音乐表演美学的发展及对策  

A Study of the Development Countermeasures of Music Performances Aesthetics in China under the Two Historical Important Missions

作　　者：余锦秀[1] 余锦龙[1] 

机构地区：[1]广东金融学院公共课教学部,广东广州510520

出　　处：《江西师范大学学报（哲学社会科学版）》2012年第3期95-100,共6页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：近年来,我国音乐表演美学研究,包括音乐表演美学理论、音乐表演技术、音乐表演美学文献、音乐表演美学学科建设等都取得一定进展。同时,也存在着对音乐表演美学的理解和认识尚处较低层次等方面的不足。基于音乐表演美学专业教育与素质教育的双重任务,我国音乐表演美学必须重视音乐分析,实证研究,借用新的观念和方法,注意传统音乐的挖掘与整理,促使其健康发展。In recent years, researches on the development countermeasures of music performances aesthetics in China have made some achievements,including music performance aesthetic theory research, music performance aesthetics literature research, music performance aesthetics discipline establishment, etc. Meanwhile, we have some inadequacies such as lower level of understanding and awareness of music performances aesthetics,there is a huge big gap compared with foreign countries in researching method, the research depth and breadth. The Chinese traditional music performances aesthetic research remains lower. Based on the two historical important missions of professional edu- cation and quality education of music performances aesthetics in China, the paper propounds some countermeasures and suggestions for the development of music performances aesthetics in China.

关 键 词：音乐表演美学 成就 不足 对策 

分 类 号：J601[艺术—音乐]