民族志诗性:论“自我”维度的人类学理论实践  

Ethnographic Poetics:On the Turn of Anthropological Theory and Practice Toward “Self”

作　　者：刘珩[1] 

机构地区：[1]首都师范大学外语学院,副教授北京市100089

出　　处：《民族研究》2012年第4期37-48,108,共12页Ethno-National Studies

基　　金：教育部人文社科研究项目"南欧族群关系与希腊民族区域自治问题研究:人类学的视角"(11YJC850013)的阶段性成果

摘　　要：随着人类学界对能动性和实践等概念的关注,传统的"社会中心主义"和结构功能主义的整体论观点告一段落。脱离知识主体及其语境的"客观"科学研究受到质疑,个体的自我意识和主体性得到全新审视,而"自我"、"意识"、"情感"、"修辞策略"开始进入人类学研究领域,成为考察个体的社会实践、社会展演及主观能动性的关键概念。本文参考了反思人类学近年来的相关研究成果,在对文化他者的创造性加以确认的基础上,通过分析文化他者在现实语境中所运用的各种修辞策略来说明"自我"得以展示的途径,目的在于探究"诗性"何以使民族志研究成为可能。The traditional viewpoints in cultural anthropology about 'sociocentrism' and holistic structural-functionalism have come to rest with the recent anthropological turn toward notions of agency and practice.The 'objective' scientific research independent of the observed subject's knowledge with its context has been criticized,and the self-consciousness and subjectivity of the individual have been explored from a completely new perspective.Terms such as 'self','consciousness','emotions',and 'rhetorical devices' are now critical notions in anthropology to examine the social practices,social performance,and agency of the individual.With the aid of the recent accomplishments of reflexive anthropology,this paper,based on the recognition of the agency and creativity of the cultural others,aims to explore how 'poetics' could make ethnographic studies possible by analyzing various rhetorical devices and strategies adopted by the cultural others in their social practices and performance in which 'self' is poetically realized and displayed.

关 键 词：人类学 民族志诗性 自我 社会展演 

分 类 号：C912.4[经济管理]