陌生化理论的旅行与变异  

Travel and Transformation of Theory of Estrangement

作　　者：杨建刚[1] 

机构地区：[1]山东大学文艺美学研究中心

出　　处：《江海学刊》2012年第4期205-213,239,共9页Jianghai Academic Journal

基　　金：国家社科基金项目"马克思主义与形式主义的关系史研究"(项目号:11CZW010);中国博士后科学基金项目"马克思主义与形式主义"(项目号:20110491610)的阶段性成果

摘　　要：20世纪,俄国形式主义的核心理论范畴"陌生化"从俄国到欧美经历了一个旅行和变异的过程。布莱希特的陌生化(间离效果)、马尔库塞的新感性以及当代西方学术界的诸多理论和范畴都直接源自于对什克洛夫斯基的陌生化理论的吸收、借鉴和改造。在后现代文化语境中,伴随着艺术与生活之间界限的消失,西方学术界却出现了陌生化理论研究的新热潮,其研究内容在走向深入的同时也呈现出多样化趋势。这一旅行和变异的过程有其内在的发展逻辑和原因,其各种变体也在不同的文化语境中呈现出不同的特点。Estrangement,the key concept of Russian formalism,experienced a process of transportation when it traveled from Russia to Europe and America in the 20th century.Bertolt Brecht's estrangement(Verfremdungseffkt),Herbert Marcuse's new sensibility and many other theories and concepts in modern western academia are derived variously from Shklovsky's estrangement.In the contest of post-modernism,with the dissolution of the boundary between art and life,a new wave of research on the theory of estrangement emerges in the western academia.This research moves forward in its depth and becomes more diversified at the same time.The process of its travel and transformation has its intrinsic logic and reason and each of its transportation in different cultural contexts differs in features.

关 键 词：陌生化 间离效果 新感性 理论旅行 

分 类 号：I0[文学—文学理论]