白马藏族木雕傩面具的民族特色  

The Ethnic Characteristics of Woodcarving Nuo Masks of Baima Tibetan Nationality

作　　者：余永红[1] 

机构地区：[1]陇南师范高等专科学校

出　　处：《雕塑》2012年第3期58-59,共2页Sculpture

基　　金：教育部人文社会科学研究规划项目"陇南白马藏族美术文化的整理与研究"(09YJA760016)阶段成果

摘　　要：白马藏族作为一个独特古老的民族,他们的民族文化和艺术也保留了原始艺术的一些基本特征,其艺术与宗教、现实生活融为一体,表现出粗犷率真、古朴单纯的民族艺术特征。尤其以木雕傩面具最具有民族特色,整个制作过程具有神圣独特的仪式,雕刻与彩绘图案相结合,造型奇特,色彩怪异,且包含了深厚的民族文化含义。Baima Tibetan nationality, a unique ancient ethnic group, preserves some basic characteristics of its primitive art and ethnic culture, whose art and religion have been integrated with real life, showing such ethnic art characteristics as wildness and sincerity, and primitive simplicity. The woodcarving Nuo mask is the most typical of the traditional Tibetan art, the making of which follows a unique and sacred rite, with its carving and coloured patterns perfectly combined, a peculiar modeling and weird coloring, and contains profound cultural implications.

关 键 词：白马藏族 木雕傩面具 艺术特色 文化含义 

分 类 号：J314.2[艺术—美术]