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作 者:李永东[1]
机构地区:[1]西南大学文学院,重庆400715
出 处:《湖南大学学报(社会科学版)》2012年第4期91-94,共4页Journal of Hunan University(Social Sciences)
基 金:国家社科基金项目"租界文化语境下的中国现代文学"(08XZW014);中央高校基本科研业务费专项资金资助重大培育项目"中国城市的文学想象"(SWU0909406)
摘 要:孤岛时期师陀对乡村与都市持双重疏离的态度,游荡于乡村与都市之外。乡土、上海和北平,在师陀的散文中是互为参照的文化空间,"走"的主题是贯穿师陀散文的一根主线。师陀的乡土书写采取"怀念———走近———离开"的叙事模式,混合着眷恋与拒绝的双重情感态度;他的都市书写则维持在"走"与"留"的张力中,流露出孤岛生存的焦虑与惶惑。拒绝都市、缅怀乡土与乡土迷梦的破碎,使得师陀眷恋"半农村性质"的北平。由北平怀旧所产生的"老家"认同带有虚拟和替代的性质。Shi Tuo discloses an alienated mood toward rural and urban area, loafing away both areas. For him,country,Shanghai as well as Peking ,their cultural elements are closely mirrored tripartitely,"de- parting'is a main theme and runs through his proses. The narrative pattern for his rural affections is origi- nally recalling and then approaching, ultimately departing, mingling with sentiments of reminiscence and rejection. While,he keeps conflicting room between departing and rooting, to reveal his feelings in urban life,a disposition to quietudeand and panic. Repulsing city life, indulging in rual livelihood and the broken rural illusion,all these emotions bring about his devotions to Peking because of its similarity to rual area in a way,as a whole,his passions for native hometown hestrew wih virtual and alternative atmosphere which is created by nostalgic yearning of Peking.
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