论姜文电影的秩序性  

On the characters of ritual to four movies directed by Jiang Wen

作　　者：李凤成[1] 魏国彬[1] 

机构地区：[1]南京大学历史学系,江苏南京230093

出　　处：《淮南师范学院学报》2012年第4期43-46,共4页Journal of Huainan Normal University

摘　　要：借鉴托马斯·沙茨针对好莱坞类型电影研究提出的秩序仪式理论,分析姜文执导的四部电影,指出其所呈现的秩序性影像特征:主要人物男性化,矛盾解决暴力化,空间存在混乱化,主题表达崇高化。The assay try to explain four characters of ritual in the light of movies theory of characters of ritual, which comes from Thomas Schatz＇s analysis to Hollywood＇s movies genres, directed by Jiang Wen. Particularly to say, the characters of ritual in Jiang Wen＇s works can be understood in four aspects： main roles are male, problems settled in violence, movies＇ space is disorder and expressed themes are lofty.

关 键 词：类型电影 类型风格 秩序性 

分 类 号：J905[艺术—电影电视艺术]