范当世玩月诗篇何以煊赫晚清诗坛  

The Profound Influence of FAN Dang-shi's Poems about the Moon in Late Qing Dynasty

作　　者：王育红[1] 

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2012年第4期129-134,共6页Journal of Nantong University:Social Sciences Edition

基　　金：江苏省高校哲学社会科学资助项目(09SJB750015);南通大学范氏诗文研究所招标课题(08FSSW07);南通大学"创新人才基金"资助

摘　　要：甲午战争爆发的次月中秋,范当世仰天浩歌《中秋次韵高季迪张校理斋玩月》,抒发浓厚的思乡之情、沉重的身世之感,以及对时局的关怀、对前途的忧念等;风格奇崛伟健,兀傲雄杰,沉郁悲壮;次高启诗韵,圆转自如,缘情随事,不以原韵为累;具有苏黄以文为诗、喜唱和为诗的特征。中秋之作,苏轼的《水调歌头·明月几时有》历来公认为绝唱,而陈三立、汪辟疆则俱推范诗而为绝唱。范当世玩月诗篇能在晚清诗坛煊赫一时,其中奥秘发人深思。On the mid-autumn day one month after the breaking-out of the Sino-Japanese War, FAN Dang-shi com- posed a poem about the moon. In this poem, he expressed his nostalgia, his sadness about life, his concern about the na- tion and his confusion about the future. The style of this poem is rather robust and outstanding, mixed with profound sad- ness and solemn. The rhyme is rather smooth and matches with the situation well, and possesses the characteristics of proses and songs. Among poems about the moon, SU Shi＇s poem is considered to be the best. However, both CHEN San-li and WANG Pi-jiang regard FAN＇s poem to be better than SU＇s.

关 键 词：范当世 中秋玩月诗 绝唱 

分 类 号：I207.227.52[文学—中国文学]