论刘克庄晚年诗歌主流——从“效后村体”谈起  

A Study on Liu Kezhuang’s Poems Written in His Later Years

作　　者：侯体健[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《北京大学学报（哲学社会科学版）》2012年第4期78-85,共8页Journal of Peking University(Philosophy and Social Sciences)

基　　金：中央高校基本科研业务专项资金资助(JJH3151005);国家社科基金青年项目"南宋福建士人群体与文学研究"(批准号:12CZW031)的阶段性成果

摘　　要：刘克庄晚年的诗歌数量占其总数的三分之二,这些作品是其诗歌主张与技巧达到成熟与稳定时创作的,更能代表他个人追求和承认的独特品格。通过对几组"效后村体"的分析,从七律、村居、组诗三个关键词入手,可以发现闲适唱酬与组诗形态在其晚年诗风形成上起到了重要作用,也与其晚年里居的生活方式具有深度的同构性与契合性,并且由此反映出刘克庄晚年向江西诗派回归的趣向。Liu Kezhuang （刘克庄） wrote about two-thirds of his poems in his later years when his poetic viewpoints and writing skills reached maturity. His poems written during that period could better represent the individual style he had intentionally pursed. By focusing on three groups of key words, i. e. 7-character regulated poems, countryside life and group poems, this paper analyzes several groups of poems written in the imitated Liu Kezhuang＇ s Style（效后村林） and thus illustrates that both the writing of responsory poems in a leisurely way and the form of group poems played an important role in forming Liu＇ s poetic style during his later years, and also shows that his poetic style was perfectly in match with his lifestyle during his later years. In addition, this paper further shows that Liu had a trend of returning to the Jiangxi Poetic School（江西诗派） in his later years.

关 键 词：后村体 闲适唱酬 组诗 刘克庄 

分 类 号：I207.2[文学—中国文学]