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作 者:张雅君[1]
机构地区:[1]东华大学外语学院,上海201620
出 处:《广西师范大学学报(哲学社会科学版)》2012年第3期83-86,共4页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
摘 要:村上春树在《挪威的森林》中,以虚实相间的手法颠覆了日本传统私小说式的叙事方式,敏锐地捕捉都市发展进程中人们的思想困惑,通过空间的异化设置来反复审视都市内部精神世界的构造与真相。在现实与虚幻、理性与非理性的交织中,村上春树笔下的都市呈现出多维度的立体感,在都市空间的切换过程中迫近都市人内心的真实镜像。同时,村上春树作为一个都市人,不仅享受都市的多元与繁华,更深切地体认到现代社会精神与物质之间的断裂与偏离。《挪威的森林》中二元空间的彰显,无疑从精神层面关照了都市化进程下人的状态及都市的困惑。而这也是现代社会中人类所关注的重要问题之一。With the technique of interweaving virtuality and reality, in Norwegian Wood, Murakami Haruki has toppled the narrative way of Japanese traditional private novel and captured keenly ideological confu- sion of human in the process of urban development. Additionally, observed repeatedly the construction and truth of urban inner spiritual mental world through the spatial dissimilation setting. The urban city in the eyes of Murakami Haruki presents a multidimensional stereoscopic impression in the interweaving of reality and virtuality, as well as rationality and irrationality, with the authentic mirror image drawing near the urbanite's inner world in the switching process of urban space. Meanwhile, as an urbanite, Murakami Haruki not only enjoys the diversity and prosperity of urban life, but also recognizes deeply the fracture and departure between mentality and materiality of modern city. The demonstration of binary space in Norwegian Wood, definitely, in mental respect, kept an eye on people's condition and confusion in the process of urbanization. This is one of the important problems people have paid close attention to in mod- ern society.
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