戏谑与丑化:论吴趼人的谴责小说  

Teasing and Defame:Condemnation Novels of Wu Jianren

作　　者：李永东[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《吉首大学学报（社会科学版）》2012年第4期74-79,共6页Journal of Jishou University(Social Sciences)

基　　金：国家社会科学基金项目(08XZW014)

摘　　要：以"恢复我固有之道德"为创作旨归的吴趼人,在上海租界难免成为厌世主义者。道德理想的受挫与厌世情绪的萌发,使得吴趼人对晚清社会发出了绝望的戏谑。愤世嫉俗的心态与诙谐夸张的描述相结合,让谴责小说喧嚣着人性与道德的隐秘邪恶,走向了隐私化、情欲化的邪僻路子,所产生的叙事效应偏离了道德教化的初衷。吴趼人属于租界文化语境培育出来的"双视野人",但其双重视野未能达到视野融合,不能为批判洋人提供有力的支持。在民族意识的敦促下,吴趼人以"士"的价值体系为尺度,转而讥讽买办的洋奴嘴脸和名分僭越,在身份与道德上极端丑化买办形象。In order to restore traditional morality,Wu Jianren may inevitably become world-weary right- eous in the Shanghai Concession. He gave the society a despairing teasing out o：f Moral ideal frustration and world-weary mood germination. Due to the attitude of detesting the world and description of humor- ous exaggeration, condemnation novels cried out the evils hidden in human nature and morality, and devi- ated the narrative effect from the original intention of moral education. As a result,condemnation novels tended to be more intimated and sexualized. Yet as a ＂double vision people＂ in the concession cultural context,Wu Jianren had failed to reach double vision fusion of horizons that are persuasive enough to criticize foreigners. However, boosted by national consciousness,Wu Jianren satirized the comprador of foreign slave face and name authority in system of ＂literati＂ evaluation, and demonized the comprador im- age identically and morally.

关 键 词：谴责小说 戏谑 丑化 吴趼人 

分 类 号：I207.42[文学—中国文学]