试论敦煌游艺文化中的儒家特征  

Confucian Interpretation of the Entertainment Culture in Medieval Dunhuang

作　　者：丛振[1] 李重申[2] 

机构地区：[1]兰州大学敦煌学研究所,甘肃兰州730020 [2]兰州理工大学丝绸之路文化研究所,甘肃兰州730050

出　　处：《敦煌研究》2012年第3期27-31,共5页Dunhuang Research

基　　金：教育部人文社会科学青年项目"敦煌游艺文化研究"(11XJCZH001)

摘　　要：本文通过对敦煌文献所记载的部分游艺活动资料进行释读,认为敦煌游艺文化深受儒家礼乐思想的影响,在活动过程中呈现出森严的等级观和严格的程式观。这使得人们在活动过程中既要放松身心、尽情娱乐,又不得不时刻考虑自己的行为是否合乎礼的要求,从而导致了敦煌游艺的休闲娱乐功能被伦理道德和礼仪规范所约束,在很大程度上丧失了应有的活力和激情。By interpreting the materials about entertainment recorded in the Dunhuang documents from the Library Cave, this article argues that the entertainment culture was strongly influenced by the Confucian theory of ＂ritualism＂ as proved by the hierarchies and paradigms revealed in these activities. Local people had to consider whether their behavior was in accordance with Confucian rites when trying to relax and entertain themselves. Limited by ritual guidelines and ethical morality, the entertainment activities reveal an almost total lack of vitality and passion.

关 键 词：敦煌文献 游艺文化 儒家特征 解读 

分 类 号：K870.6[历史地理—考古学及博物馆学]