“晋商”文艺的现代范式——李健吾《贩马记》阐释  

Modern Paradigm of Jinshang Literature and Art——Analysis of Horse Dealer by Li Jianwu

作　　者：李勇强[1] 宁辰[1] 

机构地区：[1]浙江师范大学文化创意与传播学院,浙江金华321004

出　　处：《吕梁学院学报》2012年第3期13-16,共4页Journal of Lyuiang University

基　　金：中国博士后科学基金第五十批面上资助项目(2011M500247);浙江省哲学社会科学规划课题(11JCWH04YB)

摘　　要：从历时性的角度观测,"晋商"题材的文艺创作在晚清、民国时期已经开始了,但这种文艺资源并未得到重视,李健吾的戏剧《贩马记》即为一例。《贩马记》将辛亥革命与晋商文化的双重属性凝结在一起,刻印了晋地生存的历史真相,也凸显了中华民族寻求独立、自强不息的近代集体无意识,堪为晋商文艺的现代范式。From the diachronic perspective,literary and artistic creation on Jinshang（called Shanxi Merchants） began in the late Qing Dynasty and early Republic of China,but such artistic resources never won wide concern,like Horse dealer by Li Jianwu.The drama integrated the 1911 Revolution with Jinshang Culture,not only revealing the historical truth of survival in Jin,but also showing Chinese collective unconsciousness of seeking independence and unremitting self-improvement.Horse dealer should be modern paradigm of Jinshang literature and art.

关 键 词：李健吾 辛亥革命 《贩马记》 晋商文艺 

分 类 号：I207.3[文学—中国文学]