现代旅游语境中的“自我”与“他者”——对九寨沟《藏谜》表演者文化身份建构的思考  

"Self" and "Others" in the Context of Modern Tourism——A Consideration about Constructing Cultural Identity of Performers in Tibetan Mystery in Jiuzhai Valley

作　　者：阳宁东[1] 

机构地区：[1]四川大学,四川成都610064

出　　处：《青海民族研究》2012年第3期152-155,共4页Qinghai Journal of Ethnology

基　　金：四川大学国家"985工程"二期建设项目"中国藏区与南亚创新基地"课题资助

摘　　要：随着现代旅游进入东道主社会,"主—客"间的互动成为可能。作为旅游场景中一个特殊群体,少数民族表演者的个人经历在这种互动中受到深刻影响,包括生存环境、生活习惯、人际交往、宗教信仰等。本文以九寨沟旅游表演《藏谜》中的藏族表演者为例,探讨表演者在舞台表演与日常生活中所经历的变化,指出这些改变其实质是对"自我"和"他者"表述的完成,其新的文化身份的建构是少数族群在理解自我传统与现实的基础上的自我抉择。With modem tourism entering host society, the interaction between ＂Host-Guest＂ becomes possible.As a.special group in tourism scene, the personal experience of minority performers has been influenced deeply in the interaction, which includes survival environment,life custom,interpersonal communication,religious belief and so on.This article studies the change the performers experience from daily life to stage performance by taking the case of Tibetan performers in the ＂Tibetan Mystery＂ of tourism performance in Jiuzhai Valley and points out the change is essentially the completion of expression of ＂self＂ and ＂others＂. As a result,the construction of their new cultural identity is the self-choice of minority group based on understanding their own tradition and reality.

关 键 词：现代旅游 自我 他者 文化身份建构 

分 类 号：C912.4[经济管理]