从存在主义哲学视角解读《犀牛》的荒诞主题  

The Absurdity of Rhinoceros from the Perspective of Existentialism

作　　者：王伟[1] 

机构地区：[1]哈尔滨理工大学,哈尔滨150040

出　　处：《外语学刊》2012年第4期139-142,共4页Foreign Language Research

基　　金：黑龙江省高校人文社科研究项目"二十世纪西方荒诞派戏剧作家作品研究"(11524082)的阶段性成果

摘　　要：《犀牛》是荒诞派戏剧作家尤内斯库的代表作品。它讲述一个荒诞的故事:为了追随社会大众文化,人们纷纷变成犀牛。犀牛象征兽性,而人变成犀牛是人性向兽性转变。这是尤内斯库对第二次世界大战期间法西斯主义在欧洲肆虐的辛辣讽刺。本文从存在主义哲学视角出发,分析《犀牛》的荒诞主题,解读西方的信仰危机以及人的异化问题的本质与根源,指出人类的坚守有希望。Rhinoceros,written by Eugene Ionesco,is a play of The Theatre of the Absurd.In the play,the epidemic of the rhinoceroses spreads in a small,provincial French town.The inhabitants,losing reason,turn into the rhinoceroses for the sake of following the mass culture.Taking the epidemic of the rhinoceroses as symbolism,Eugene Ionesco bitterly criticizes the horrors of Nazism and Fascism in World War II and also satirizes the weakness of humanity.This paper analyzes the origins of the transformation from the perspective of Existentialism,and explores the themes of crisis in moral conviction and alienation.

关 键 词：荒诞 存在主义 异化 焦虑 反抗 

分 类 号：I106[文学—世界文学]