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作 者:衣霄[1]
机构地区:[1]新疆师范大学美术学院,新疆乌鲁木齐830054
出 处:《南京艺术学院学报(美术与设计)》2012年第4期34-36,161,共3页Journal of Nanjing Arts Institute:Fine Arts & Design
基 金:国家社科基金青年项目"新疆传统建筑砖饰形态研究"(12CMZ021)
摘 要:树纹是世界传统装饰纹样之一,常用于织物装饰中。新疆地处丝绸之路要塞,各种文化在此交汇融合,这些从新疆树纹的变化中可见一斑。在吐鲁番高昌故城附近的阿斯塔那古墓群出土了大量古代织物,其中"树纹"多有出现,笔者通过织物"树纹"造型的研究、纹样的比对,分析树纹的演变规律,探寻其文化根源。Wood line pattern is one of the traditional decoration patterns in the world, and often used in decoration in fabrics. Xinjiang was at a fortress on the Road of Silk, so kinds of cultures joined here, which could be partly seen in the changes of the wood line pattern. A large number of ancient fabrics were unearthed in the ancient Astana Tombs near to the ancient city of Gaochang in Turpan, and there were many wood line pattern appeared. Through research and comparison on the modeling of this pattern in fabrics, this paper analyzes its evolution regularity and explores its cultural origin.
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