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作 者:陈仲义
出 处:《福建师范大学学报(哲学社会科学版)》2012年第4期107-113,共7页Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基 金:厦门市优秀人才科研出版基金"现代诗研究"(编号:XMRC201102)
摘 要:变形是现代诗语的特征之一,它表现为"远取譬"的大跨度畸联。变形的图式目的,在于破坏固有的自然联系性。好的变形是既能改变能指的"形态",又能让所指发生意义变迁,获致更具喻指意义的深度——变意。变形大体呈现出优美与怪诞两大系列。为纠偏过分的变形,有人以现象学为根据提出不变形或少变形,乃至反变形观点。但不管变形的多与少,其成功与否,最终还得接受张力与诗意的检验。As one of the characteristics of contemporary Chinese poetic discourse,metamorphosis presents itself as the malformed metaphorical correlation.The schema of transformation aims to destruct the inherent and natural connection in language.What could be regarded as successful poetic metamorphosis manages in creating the effect of "transforming the significance",which not only transforms the configuration of signifiers but also causes the transformation in the signified and approaches a much deeper level of meaning exchange.The metamorphosis can be categorized in two series: the beautiful and the grotesque.According to phenomenology,in oppose to the exaggerating and inappropriate metamorphosis,some would raise the idea of non-metamorphosis or mild-metamorphosis,and even of anti-metamorphosis.However,no matter how much metamorphosis takes place in a poem,whether it is successful would be under the examination of the tension and poetry.
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