《水浒传》女性视点生成及其拓新价值  

"Water Margin"Female View Generation and Extension of New Theory of Value

作　　者：吴宪贞[1] 

机构地区：[1]济宁学院中文系,山东曲阜273155

出　　处：《齐鲁学刊》2012年第4期132-135,共4页Qilu Journal

摘　　要：在英雄本位语境下,《水浒传》女性视点呈现出弱化、丑化、男化等非对称性、非常态化的建构。究其原因,除了宋明理学时代文化心理的深层影响外,更主要的是流传广布而极具世俗情味的江湖母题自然渗入《水浒传》的累积成型中,使得《水浒传》女性视点成为某些江湖母题的情节化、故事化和具象化,成为趋附于英雄本位而生的一类特定语境女性景观。《水浒传》的女性视点因对传统的文本模式、道德取向和审美习性的悬搁而呈现出一种全新的价值重构。In the context of hero standard,＂ Water Margin＂ female view shows a weakening, beautify, male, asymmetry, abnormal of construction. Investigate its reason, besides the Neo-Confucianism culture deep psychological impact, more important is spread widely distributed and highly secular human Jianghu motif natural infiltration＂ outlaws＂ accumulation forming, the＂ Water Margin＂ female view- point as some quack motif plot, story and concretization, become the skin in the heroic standard＇ for a particular class of female land- scape context. She was on the traditional text mode, moral orientation and aesthetic characteristics of suspension and presents a new value reconstruction.

关 键 词：水浒女性 视点生成 宋明理学 江湖母题 价值重构 

分 类 号：I207.412[文学—中国文学]